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Bottesini: Fantasia “La Sonnambula” – Thomas Martin | Songs, Reviews, Credits | AllMusic
It nearly met its end in the s as it sat backstage in a marionette theater in Milan. This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched.
Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.
He prepared a successful audition for the double bass scholarship in a matter of weeks. February Learn how and when to remove this template message. Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass. During these years he diversified the toils of conducting by repeated concert tours through Europe.
Introspection Late Night Partying. Streams Videos All Posts. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. Bassist Thomas Martin is equal to the challenges Bottesini throws at him, and the studio sound is above average. Drinking Hanging Out In Love.
Fantasia on ‘La sonnambula’ Bottesini, Giovanni Genre Categories Fantasias ; For double bass, orchestra ; Scores featuring the double bass ; Scores featuring the orchestra ; For orchestra with soloists ; For double bass, piano arr ; Scores featuring the piano ; For 2 players Related Works Based on La sonnambula by Bellini.
It was built by Carlo Antonio Testore in The double bass sonnambulx themselves are a sohnambula group, with the bow-shredding virtuosity reserved for last in the Introduzione et Variazioni sul “Carnaval de Venise. The Testore bass was later converted back to a four-stringed instrument, and then to a three.
The music of Giovanni Bottesinithe “Paganini of the double bass,” has been subjected to a multi-disc examination by the indefatigable Naxos label. Bottesini purchased the Testore in for lire. This style was previously used solely by violinists, violists and cellists.
Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera. A nineteenth century concert would often include vocal as well as instrumental elements, and this disc includes some of Bottesini ‘s songs.
On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director. Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso. In and he conducted in Palermo, supervising the production of his opera Marion Delorme inand in in Barcelona. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso.
List of compositions by Giovanni Bottesini. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts. Fantasias ; For double bass, orchestra ; Scores featuring the double bass ; Scores featuring the orchestra ; For orchestra with soloists ; For double bass, piano arr ; Scores featuring the piano ; For 2 players. From Wikipedia, the free encyclopedia.
Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation. Pieces based on Bellini’s ‘La sonnambula’ Pieces based on operas, operettas and stage works Scores published by Muzgiz Scores Bottesini, Giovanni Romantic style Romantic Fantasias For double bass, orchestra Scores featuring the double bass Scores featuring the orchestra For orchestra with soloists For double bass, piano arr Scores featuring the piano For 2 players Pages with arrangements Pages with commercial recordings Pages with commercial recordings Naxos collection.
Retrieved from ” sonnnambula He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a hottesini for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Bottesibi Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
Ci divide l’ocean track 9 is an attractive item still well known in Italy, and the presence of the songs serves to point up the vocal quality of Bottesini ‘s melodic lines, nicely set off against passages in which the instrument is growling or whistling at its registral extremes.